Elements from the Viennese technique may even be used alongside modern technique, for instance in sections of works from the classic and romantic repertoire. įinally, in the ‘coda’ of this text and in the last section of Video 2, I will explain how anyone may adopt the Viennese technique by adjusting their posture and touch step by step. I will demonstrate how sound and phrasing change, technical difficulties are mastered and study time is saved when Viennese piano technique is put into practice – even on a modern piano. In text and video, I discuss excerpts from beloved piano works by Beethoven, Schubert and Chopin. As long as we play the music from the most glorious decades in piano history, we can still benefit from mastering the technique of their time. I could simply ask: Does it matter today how they played in the late eighteenth and early nineteenth centuries? The question deserves to be asked, pondered and discussed, for the simple reason that piano works of this age has captivated, moved and stunned audiences for more than two centuries, and still belong to the core repertoire of pianists around the world. In the second part, I discuss implications for interpretation and performance, and the extent to which we may still benefit from the information in the early piano treatises. Although the word ‘technique’ was not yet used in reference to bodily actions, I have adopted later usage of this term where it denotes the basic actions (posture and arm, hand, finger motions) of piano playing. Why do matters of posture seem to have been so important for the piano teachers of that time? In the first part of this article, I highlight their descriptions on posture and touch, along with the reasoning throughout generations regarding the physical approach and technique of piano playing. What does Mozart’s letter tell us about his preferences regarding piano playing – for children, adults, or both? Quite notably, matters of posture and basic movements are discussed in similar ways in his letter and in piano treatises for the following generation. Since these sources were primarily targeted at children, and teachers teaching children, I will open the discussion with a letter from Mozart, where he comments on the piano playing of the eight-year-old Nannette Stein. Prevalent in these sources, is the emphasis on correct execution of basic motions in piano playing. Zhang is one of the youngest performers and the youngest Georgean pianist to have achieved this honor.In this article, I will present my work on reconstructing Viennese piano technique from descriptions of posture and touch in treatises and method books of the 1820s. After winning the award he performed at the legendary Carnegie Hall in New York in 2019. His breakthrough happened after a video of Zhang paying Mozart got him the first place at The American Protégé International Competition. He has this brilliant sparkling energy Career When asked about Williams play style, Besalyan had this to say:
William currently practices at least three hours a day. He began his piano lessons at age four and a half.
At first he didn’t want to teach someone as young as Zhang, but was quickly drawn into his world the first time they met. William was taught by Raffi Besalyan, music professor at Georgia State.
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Because of this she taught herself how to play and passed this knowledge to her song. Zhang’s mother Julia told journalists that the piano instructors she approached refused to teach him because of William’s young age. The musical instrument cost them $20 000. That is why his parents decided to buy William his first piano when he was just 2 years old. When I play Chaikovsky, I can see a bird flying around. His parents took him with them on a business trip to Atlanta, Georgia. William first started to play piano when he was only 1 years old. Zhang was born in Georgia in the family of Guangyu Zhang and Julie Zhang, He displayed his piano playing abilities from a young age. In addition to playing piano, he also enjoys reading, drawing and swimming.
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Because of his talent Zhang appeared on several TV shows and earned a number of awards by the age of 6. He is known as one of the youngest piano players in the world. William Zhang is a US born child prodigy piano player from Milton, Georgia.
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